A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence...
Layout C
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the...
Originally recorded by The Brothers Johnson in 1980, the track was a big disco hit and was produced by Quincy Jones. Built around a simple drum...
Chic are probably the greatest disco/funk band in history and ‘Le Freak’ is amongst the most recognisable pop tunes ever made...
Layout C (slider)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence...
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the...
Originally recorded by The Brothers Johnson in 1980, the track was a big disco hit and was produced by Quincy Jones. Built around a simple drum...
Chic are probably the greatest disco/funk band in history and ‘Le Freak’ is amongst the most recognisable pop tunes ever made...
Having always loved NYC noise-rock band Sonic Youth, I took their track ‘Sugar Kane’ as the theme tune (and identity) of the gender-fluid...
Having placed the funkiest jazz track in history in the cut and fallen in love with it, the clearances came back and we promptly fell out of love...
This track was a blatant attempt (at the request of Director Marc Munden) to reproduce the sound and vibe of Tom Waits’s ‘Murder In The...
In the film ‘Acts of Godfrey’ there’s a flashback to the 80’s. The visual treatment is primitive computer graphics and I...
This dance scene had been shot to The Big Bopper’s ‘Chantilly Lace’ which, during the edit, presented a budgetary issue. I recorded...
To play alongside this deliberately clinical and literal description of how sex is depicted in film and TV, I composed a track using rhythmical male...
Layout C (combined with D)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence...
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the...
Layout C 1/2 (combined with D)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence...
Layout C 1/2 (combined with D)
Having placed the funkiest jazz track in history in the cut and fallen in love with it, the clearances came back and we promptly fell out of love...
Layout C (combined with G)
Having placed the funkiest jazz track in history in the cut and fallen in love with it, the clearances came back and we promptly fell out of love...
This track was a blatant attempt (at the request of Director Marc Munden) to reproduce the sound and vibe of Tom Waits’s ‘Murder In The...
Layout C (with load more button)
Having placed the funkiest jazz track in history in the cut and fallen in love with it, the clearances came back and we promptly fell out of love...
This track was a blatant attempt (at the request of Director Marc Munden) to reproduce the sound and vibe of Tom Waits’s ‘Murder In The...
In the film ‘Acts of Godfrey’ there’s a flashback to the 80’s. The visual treatment is primitive computer graphics and I...
This dance scene had been shot to The Big Bopper’s ‘Chantilly Lace’ which, during the edit, presented a budgetary issue. I recorded...
To play alongside this deliberately clinical and literal description of how sex is depicted in film and TV, I composed a track using rhythmical male...
Anyone who’s ever walked into an empty pub or bar with a DJ pumping out tunes like it’s Saturday night at Fabric will appreciate this...