A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence had been filmed to...
Layout B
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the wedding song of one of...
Layout B (with A as starter)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence had been filmed to the Glenn Miller original and it was necessary to capture a take with exactly the same swing and timing. This was...
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the wedding song of one of...
Having always loved NYC noise-rock band Sonic Youth, I took their track ‘Sugar Kane’ as the theme tune (and identity) of the gender-fluid TV comedy detective...
Layout B (combined with D)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence had been filmed to...
Layout B (with infinite scroll)
A straight cover of the Glenn Miller track from 1939, I recorded a Big Band including (and conducted by) jazz giant, Gilad Atzmon. The dance sequence had been filmed to...
The waltz in this scene had been shot using the The Blue Danube for playback. I felt this wasn’t the right track as it was supposedly the wedding song of one of...
Having always loved NYC noise-rock band Sonic Youth, I took their track ‘Sugar Kane’ as the theme tune (and identity) of the gender-fluid TV comedy detective...